Tenor Fächer: What Kind of Operatic Tenor Are You? Spinto Soprano . Eisenstein, (Die Fledermaus) 1.3. Di Stefano was known for the extraordinary beauty of his sound and the emotional content he uniquely added to the music he sang. The voice is usually split, in opera, in to sopranos, mezzo-sopranos, tenors, baritones and basses. But before we get to the main list there are a couple of singers that are worth mentioning who did not make this year’s top 11. ‘Plus blanche que la blanche’ From Meyerbeer’s Les Huguenots  sung in Italian as  Bianca al par di neve alpina  shows all of Corelli’s strengths – powerful tone, matchless breath control, and thrilling high notes. 8. This Fach is the dividing line between the lyric and dramatic tenor voice. Great post. I have no problem, certainly, with Björling or Del Monaco or Gigli (who, I agree had a bit more of a crying element in his voice than was necessary, but his Cavaradossi was magical). Like Domingo, though, it became nasal with time. Margaret. Put his name in the search bar to see some of the posts that mention him. Young Domingo had a fine lyric tenor voice. But Lanza would make if not movie career ,and not Corelli? Tucker’s chanting is also remarkable. No tricks. I’ve listed the 10 tenors that I think were the best of those active in the 20th century. Juan Diego Flores is on the top. Leo Slezak, the great dramatic tenor, for me beats out all the wonderful lyric tenors with his 1903 “Viens, Gentille Dame.” Holds me in an orgasmic vice!!! Wonderful list. Spinto tenor. One singer always seems to be missing. What power what intensity, Brilliant! His masterful vocal technique allowed him to sing spinto roles with success and without damage to his voice. I guess you really prefer Corelli. I’ll shut up on this note. Sheikh Red Shadow, (The Desert Song) 1.6. The Mime is Karl Laufkötter. Types of Operas. Add that he was tall and looked like a fifties movie star and you have a matchless package. Not Raimondi. I have to say, I still like listening to him. You could have chosen a fine recording of one of his beautiful arias easily available on YouTube. I love big powerful voices, and the great Jerome Hines said Mario Del Monaco had the biggest voice he ever heard in all of his years at the Met. which occurs in the first act of Die Walküre. His voice is sheer magic. He blasted everyone off the stage even if his back was turned to the house. I saw the marvelous Corelli in this role. And for Wunderlich go here—-> https://medicine-opera.com/2010/10/two-that-got-away/. I was lucky enough to hear him sing Manrico at the tail end of his career and he was still kicking the doors out. How would any of us walk away from that kind of adoration? Can’t remember, but I think there is a recording on YouTube. Carlo Bergonzi is an Italian Tenor, he is mainly connected with the Verdian roles. How about Leo Slezak?? The Top 40 Pop Artists of All Time. Unfortunately he kept singing way past his best years. Then I heard him sing the song transcribed from Anton Rubenstein’s “Romance in Eb”–“If You Are But a Dream.” He inhabited the music and its text, utterly faithful to music and words. With practice and proper technique, you can sing in high tenor, whether you’re in choir, a musical, or just for fun. Though roles are abundant, competition is stiff for lyric tenors. I fully agree with your comments regarding Tucker, Corelli and Caruso, what wonderful tenors they were and they will always be on my top ten list. Yes. Many find they must develop their acting and movement skills in order to stand out from the competition and earn a living as an opera singer. He loved a lot and he was loved by a lot. I don’t care about Kaufmann. Many thanks for including Lanza. You might notice that sopranos and tenors make up 90% of the list. Nessun Dorma. Some fans, it seems, are not enamored of Melchior, but his Winterstürme in that 1935 recording is truly amazing. I have never lseen him listed on any top tenor lists of any kind but if one has heard him in Mozart or the lighter French tenor He starred in almost twenty movies and performed sixty two different opera roles. He had an unusually beautiful voice, paired with huge volume and a perfect technique which allowed him to sing that rarest of tenor tones, the high C, … They included his fellow lyric tenors Dmitry Smirnov (1882-1944) and Andrei Labinsky (1871-1941), the spinto tenor Lev Klementiev (1868-1910) and the dramatic tenor Ivan Yershov (1867-1943). But your comment about the size of certain celebrated voices reminded me of a time my brother and I saw a “Macbeth”with Milnes as the title character and Ruggiero Raimondi in the relatively small role of Banquo. This Fach is the dividing line between the lyric and dramatic tenor voice. It’s hair raising stuff. You are absolutely right. For example, a voice with a mezzo's tone colour and the high notes of a soprano, or a voice with a tenor range and a baritone's tone colour, is a spinto. The purity and cleanliness of his voice is instantly recognizable, and made him a superstar early on in his career. youtube: https://www.youtube.com/watch?v=HUkJVwMNeHM Top 100 Pop Songs Of 2013. I don’t think they had a 30th Anniversary Gala for him at the Met if his singing had gone way downhill! 8. Some spinto tenors may have a somewhat darker timbre than a lyric tenor as well, without being as dark as a dramatic tenor. What a great injustice you did to Pavarotti! Be professional. His squillo and clarity are absolutely excellent! Solid high notes and intense characterization. His voice was much smaller than it appears on recordings. If you have a gun to your head forcing you to watch him, let me know, I’ll send a posse. Virtually all his roles were sung in German. I wish I could find a recording of Gedda and Mary Costa in Fra Diavolo. Trebor Renkluaf I was hit by a parked car, what's your excuse? Listen to some of his later performances. He receives standing ovation all over the world thanks to his facility to project with timbre extraordinary and clearly metallic high notes placed on the top. Corelli and Lanza are the most fantastic voices with such ultimate control that they can have the most intense expression without sacrificing vocal quality. He continued to perform in opera houses for many years. Who does that? An honorable mention should certainly be Fritz Wunderlich short as his career was. https://www.classicfm.com/discover-music/latest/best-sopranos Leontyne Price. I do agree that Vickers deserves a place here. Perhaps you should reconsider Vickers!! – Jonas Kaufmann, German spinto tenor – Simon Keenlyside, British baritone – Mariusz Kwiecień, Polish baritone ... Arguably one of the most versatile tenors of today and for me in the top range for Mozart. He recorded Des Grieux in Manon as well as Werther in integral recordings of reference status. Here are my comments followed by my own list. Ailyn Perez opened the Dutch National Opera’s 2019-20 season, won the Opera News Awards, made her role debut as Donna Anna in “Don Giovanni” at the Houston Grand Opera, and became ambassador for Opera America and Opera for Peace. The contralto voice is the lowest of the female voices and by far and … Another person has recognized the great Giacomo Lauri-Volpe. Possessing a beautiful tenor with baritonal qualities, he successfully portrayed many of the main Verdi and Puccini roles, until making his mark promoting lesser known Verdi operas such as I due Foscari, Giovanna d’Arco and Luisa Miller. Few, if any, would ever put Domingo in front of Pavarotti. Also loved Krauss, Vickers and early Flaviano Labo. He had perhaps the most complete technique of any tenor I’ve ever heard. You did not mention Wunderlich. After that, he is still first-rate. And is credited with keeping Verdi,s lesser known works alive, Essentially a lyric tenor with spinto capabilities, Bergonzi was loved during the peak of his career for his beautiful diction, smooth legato, warm timbre and … Sir, although Di Stefano certainly should be on this list, I disagree that his rendition of “O Sole Mio” is even arguably the best. Now please don’t get me wrong, he’s not hands down the best singer of every canzone. https://www.classicfm.com/artists/placido-domingo/guides/top-10-tenors Jonas Kaufmann — born July 10, 1969, a German tenor, particularly known for his spinto roles. You can find him singing some roles besides Verdi as well. I never heard Bjorling in a smaller house than the cavernous old Met. In such a hall I’m sure his sound was bigger. 5 Franco Corelli, since my youth he was my first favorite tenor and it hurts me to put him at no 5. Honestly,..he always sounds like a sqeeling pig,. Spinto (from Italian, "pushed") is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in opera at moderate intervals. Similarly Escalais, but in the French style. His rendering of “una vergine” from La Favorita by Donizetti is totally mindblowing ending with a diminuendo on the high C. Incredible. famous tenors: Jeff Buckley Sam Cooke Geddy Lee Little Richard Steve Winwood . I wish HE had come to the US instead of Caruso, to me a droning bore. When del Monaco sang at the Met you could hear him on Staten Island. No one else comes close. That gets me up to 8 tenors. A lyric tenor voice is defined by the smooth, bright and warm timbre of it’s voice. Then, he took it for granted. Within the tenor voice-type category are seven generally recognized subcategories: leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, Mozart tenor, and tenor buffo or spieltenor. March 20, 1890 was a good day for tenors. While Del Monaco is my favorite for ‘Opera Noir,’ esp. (I know, I hear someone saying “Domingo”, but he wasn’t taking on Tristan for the first time forty years into his career. The lyric tenor is a tenor with a well timbered voice, such as "The Three Tenors" (Luciano Pavarotti, Jose Carreras and Plácido Domingo). That he uses it now to interpret baritone roles appears to not bother those who attend his performances to this day. In 2003, he recorded Mozart’s Idomeneo, aged 78. Immediately I realized my mistake last week above when I forgot to include Bergonzi. Put up your list of ten. You’re obviously either very young or new to opera. I just have a few video clips where they both sound fantastic. Helge Rosvaenge (1897-1972) was a Danish tenor who made most of his career in Germany and Austria. I personally like honeyed, sensual beauty tenors, and GDS and Jose Carreras I love both at the same LEVEL.I have one question to you: Their roles are often given to the heavier spinto tenor voice. Try to get ahold of Peerce chanting. He also does not quite equal Corelli’s absolutely superb O SOLE MIO in my opinion. Get the best possible recordings for all of them. This voice has the brightness and height of a lyric tenor, but with a heavier vocal weight enabling the voice to be "pushed" to dramatic climaxes with less strain than the lighter-voice counterparts. List of the most notable and famous tenors in the world, with photos when available. Someone mentions the limitation of Del Monaco (great as Otello, but otherwise, meh), but I have to say his Don Jose was killer. The amazing thing is that three of them were born in 1921 and one died….Caruso, the day Lanza was born. Shocking. You also need to know what the mixed voice is within tenors. For my take on Slezak go here—-> https://medicine-opera.com/2012/06/leo-slezak/ Certainly, George Thill, Fritz Wunderlich and Tito Schipa should have made this list over the above-mentioned three. Rosalind Plowright defines a spinto voice as one that has a tonal colour one down from its range. For German lyric tenors I would put him & Joseph Schmidt, who you also mentioned, as having the most beautiful voices from all the German lyric tenors I have heard. Good, Pierre. Wonder what we’d have to say if we could have heard some of the greats of the 18th and 19th century. So does Lauri-Volpi. 100 of the Best Pop Songs of All Time. There are very few listeners left who heard him live at the old Met. All of these singers had major careers at New York’s Metropolitan Opera. Speak well of all of them. Alas only one is still living. Best Tenors – Top 10 Greatest Tenors Enrico Caruso (1873-1921) I like Max Lorenz much better than Melchior. It was his work that planted the ad slogan “King of the High C,” and spawned the bizarre notion that if you aren’t born with it, used in a copious dispensary style, then you’re just a commoner who should stop pretending the throne. /// As far as Jonas Kaufmann with his bad technique of depressing his larynx for some sort of fake darkness or “bassy” effect…it’s a miracle he’s still singing at all. Greatest Opera Singers in History. This voice has the brightness and height of a lyric tenor, but with a heavier vocal weight enabling the voice to be "pushed" to dramatic climaxes without strain. But I do believe Mario Lanza deserves a higher ranking. His end was tragic and you can read about elsewhere on this site. It never fails to stop me still, to make me close my eyes, to make me use all my senses just on his music. To those who think he should go away, I say if the sight and sound of him bothers you so much, then pick someone else to entertain you, ok? Some tenors belong to the baritone range like the spinto tenors and heroic tenors. The beauty and power of the sound the young Domingo produces is overwhelming. A role fitting for a spinto tenor, the music written for Calaf needs a tenor with a bright timbre and high range, whilst retaining the support of lower registers, so that the voice might be pushed to dramatic climaxes. Many thanks for your very fine article and a truly marvelous selection of musical gems! There is no tenor on your list with Simoneau’s singular gifts. Spinto tenors have a darker timbre than a lyric tenor, without having a vocal color as dark as many (not all) dramatic tenors. Spinto tenors have a darker timbre than a lyric tenor, without having a vocal color as dark as many (not all) dramatic tenors. Similar to the lyric tenor in range but with more heft, particularly towards the top. His voice was not only clarion clear and bright, with excellent diction in several languages, as well as outstanding control, but he excelled in the warhorses like Otello, as well as Siegmund and more offbeat stuff like Peter Grimes. there. His “Di Quella Pira” left nothing to be desired. And additional: do you think, that the beatuful-tenor-time is forever for forever? Mario Lanza. Of course it is not, unfortunate that Pavarotti, “kept singing way past his best years.” Deny millions a chance to hear him live beyond the seventies? Luciano Pavarotti (1935-2007) was the most famous opera singer after the era of Maria Callas. His light voice is a stark difference to the German tastes in music then; they preferred heavy Wagnerian voices. I think “Una Furtiva Lagrima” would be an excellent choice to feature Pavarotti’s outstanding operatic voice, rather than “A te, o cara,” which is also fine, but is a duet. Anyway, here’s Lanza’s 1950 recording of the Improvviso from Andrea Chenier. He was a prize-winner at the 1993 Nürnberg Meistersinger Competition. Golden voice and solid technique. Non Ti Scordar Di Me by Ernesto de Curtis shows the tenor’s famous ‘honeyed’ tones to great advantage. 6.Franco Bonisolli I choose him as no 6 after studying his carreer more intensely over the last year year,..such a natural flowing legato of a lyric with a touch of the dramatic in his voice. Spinto tenor - Chest voice head voice mix in limited but tessitural chiaro scuro with power Lyric tenor - Chest/head voice mixed register with a ringing top . Lauritz Melchior (1890-1973) was the preeminent Wager tenor since the advent of sound recordings. The Top 40 Pop Artists of All Time. Robin E Layton Perth,Western Australia. Readers are invited to submit their own lists in the comments section. ... Renata Tebaldi was and is surely one of the best Spinto soprano voices that any century has ever heard. Di Stefano I love for his lyric voice prior to 1953, but he was musically lazy & blew his voice out trying to be a Spinto. Besides the orchestral music, acting, stage presence and interpretation of the music are what separates a diva from a group of singers. I limited myself to 10. Along with Domingo and Pavarotti, he’s perhaps deserving of an honorable mention. Please. My dad got to hear him in person; I was not so lucky. I remember reading a quote from Björling who, in answer to a question about why he didn’t do “Lohengrin” on stage, said, “Who would believe that I could ever win a battle with broadswords”. I am being polite. This is also called tenor leggero. As Anna Russell would say, “Screechenralph!! Totally agree about Lanza, Tucker, and Kaufmann. Richard Tucker (1913-1975) is the only American on my list. One of his breakout roles occurred with the 2003 Salzburg Festival for the role of Belmonte in … I heard Domingo before he went to the met. He was known for his appetites, insecurities and little boy charm. Although primarily a lirico-spinto tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José, & Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. Honestly, I would have struggled with including either one of them on a top ten list, along with Richard Tucker as well. Fritz Wunderlich probably has the sweetest and most lyric voice in all the tenors. Then, it became nasal. Carreras in the 70’s, wonderful. Yet the former’s career was headed south at just about the same time as the latter’s was taking off. He is my Di Stefano,..ruined his own voice and carreer later on,..but OH my what a voice he had. I don’t have a quarrel with any other names, Melchior’s recording of the first act of Walkure with Lehmann, conducted by Bruno Walter with the Vienna is in the top five Wagnerian (and operatic) recordings ever made. For what it’s worth, here is my top ten list in this order. 2 Jon Vickers. Though he’s recently been masquerading as a baritone and as a conductor, it’s as a tenor that he will be remembered. to the content on this blog: Comments and reviews of opera, music, and medicine, Written by Neil Kurtzman | 8th March 2016, Va prononcer ma mort, Rachel quand du seigneur, The 10 Best Tenors of the 20th century – Part 2, The 10 Best Mezzo-Sopranos of the 20th Century, https://medicine-opera.com/2012/06/leo-slezak/, https://medicine-opera.com/2010/10/two-that-got-away/, https://www.youtube.com/watch?v=HUkJVwMNeHM, https://www.youtube.com/watch?v=iAWzX2WVi8Q, https://www.youtube.com/watch?v=9nrDfqoYzNo, http://www.bbc.co.uk/pressoffice/bbcworldwide/worldwidestories/pressreleases/2008/03_march/music_magazine_domingo.shtml, How to Disable Yahoo’s Theft of Firefox’s Open a New Tab, Educational Thought of the Day – E Coli in Germany, Zinka Milanov – The Most Beautiful Voice in the World, Asymptomatic Subjects Do Not Transmit the Coronavirus, Texas Tech University Health Sciences Center, Archives: Older posts and additional material. We should remember that their talents and distinguished careers, and those of other Canadian artists, have been overshadowed by major entities such as CBC/Radio-Canada. Carlo Bergonzi (1924-2014) was one of the most visible spinto tenors in the latter half of the 20th century. Martinelli not only had an amazing instrument (he recorded into his 80s) but an incredible repertoire. Whose place would he have taken? Captain Dick, (Naughty Marietta) A word about Bjorling. I agree with your comment about Mario Lanza. Besides the orchestral music, acting, stage presence and interpretation of the music are what separates a diva from a group of singers. As in our discussion of spinto sopranos, "spinto" means pushed. In the duet that concludes the second act of Otello he’s paired with another vocal miracle, Leonard Warren. November 11, 2013 at 9:16 pm. And is credited with keeping Verdi,s lesser known works alive, Essentially a lyric tenor with spinto capabilities, Bergonzi was loved during the peak of his career for his beautiful diction, smooth legato, warm timbre and … 3. what is the reason of the TENOR-crisis at time, generally? Not a bad list. (They are also known as "lyric-dramatic" tenors.) The Contralto range. I have made no attempt to rank them. I find Richard Leech delightful in youthful, ardent characters see some of the.., Lanza is right up there tenor Fächer: what Kind of Operatic tenor are?. Edit my answer about Pavarotti held you on a list of the Improvviso from Andrea Chenier active in Met! Rosvaenge ( 1897-1972 ) was a prize-winner at the 1993 Nürnberg Meistersinger Competition agree that Vickers deserves a ranking! The reference to Del Monaco and di Stefano would not make my ten! And chest/falsetto voice types of... Why you should sing the way you Talk and how to be desired in! 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